The coronation, better with scriptwriters

INTERNATIONAL

The coronation of Carlos III has been as excessive as the years he had been waiting to celebrate it. A lifetime wasted waiting, a wife deceived with her mistress, a wife only to procreate, an incubator.

The series have surpassed the reality of real houses. The coronation of Carlos III has passed and in its enormity and waste it has been nothing more than tedium. Four dresses and scrap medals from forgotten wars: the one in Crimea, (the one from 1854, the one in force today is from 2014), the invasion of Iraq and Afghanistan in which he participated and which Prince Harry/Henry bragged about, who in The coronation of his father has gone as a civilian but he flaunted his medals, camouflaged on the bench of shame with his uncle Andrés.

The coronation of Carlos has been a bluff. He has needed to resort to the English topic of the ghost to distill a meme. The ceremony has been as huge as boring. It is seen that the Hollywood writers' strike has affected this paripé avant la lettre. The monarchy, like everything else, needs scriptwriters, poets, dramaturgy… And cut out what is left over, that is, edit.

It would have been nice if those in charge of organizing these soirees had photosynthesised The Bridgertons (dresses, hairstyles, dialogues, dances) or the miniseries released these days, the spectacular Queen Charlotte (both from the Shonda Rhimes factory for Netflix). : Six great chapters, as long as you watch them at the same time as something else: Brains evolve faster than the instruments used to listen to them.

As the AI pushes us, the brains diversify and need more stimuli, so they themselves ask to see two things at the same time because if not, they immediately get bored and get blocked. Example: Queen Carlota and the Miami Formula 1 Grand Prix, as boring as the coronation of Carlos III but with more colour.

Brains, urged on by competition from systems that mimic them using brute force computing, endlessly draw new connections… to defend themselves and survive.. Screenwriters, politicians and anyone who tries to hold the attention of their family or environment for half a minute, enact neurons and synapses non-stop. This vertigo of new connections due to justified alerts could explain the perception that time is going much faster.

From that point of view of crazed attention, the coronation is a torpor.. Rituals so archaic that if someone knew what they mean they would have to explain them or better, update them. The State Church ¿?, using the Church, with its enthusiastic complicity, as decoration, decoration and props. And volunteering, the CSR of waste and tax havens. Kitsch, elevated to its greatest glory.

After seeing the fabulous Queen Carlota, the reality of the Royal House and its coronation of Carlos & Camila is as rancid as NO-DO. Royal beings should stay at home or in the palace, dedicate themselves to charities and raise horses, and let actors and actresses represent them in their ceremonies, always with a professional script (meaning AI monitored).. A good adapted script is better than harsh hyperreality.

That is why the most serious thing that is happening in the small redoubt of the world that is not in direct war is the Hollywood writers' strike, more than the closure (bankruptcy) of the United States government announced for early June, and more than the micropanic by the medium-sized banks that Warren Buffett spreads.

That man enduring all kinds of meaningless rituals, enduring that they screw the crown to his head, that they hide him like in a puppet with some screens, that they shake him around in a carriage lined with gold. All that hollow kitsch has been demolished by the headdresses and dresses of The Bridgertons, who elevate and explain the monarchy while questioning it: explaining and questioning is the only way to justify anachronistic gestures and practices. The empty liturgy does more damage than the candid nudity of a shopping mall; the liturgy as choreography reflects the total absence not of beliefs and values –already eradicated from intimacy, although the opposite is argued–, but of scriptwriters, which is worse. The evangelists could be, if it were not frowned upon, the bosses of the scriptwriters.

Reviewing these seven hours of video, it is seen that the empire has maintained its rhetorical validity through fictions and through the technique of showing horses, carriages, carriages, uniforms in cinema, but that has been inherited and updated by Formula 1 with the advantage of that intends to compete for real, although it almost never succeeds. The empire, already demolished in fact, is only technique, craft to represent it. But that craft requires good, well-paid scriptwriters… and a relentless casting.